Book #74: Bitter Seeds by Ian Tregillis
Blurb:
The year is 1939. Raybould Marsh and other members of British Intelligence have gathered to watch a damaged reel of film in a darkened room. It appears to show German troops walking through walls, bursting into flames and hurling tanks into the air from afar.
If the British are to believe their eyes, a twisted Nazi scientist has been endowing German troops with unnatural, unstoppable powers. And Raybould will be forced to resort to dark methods to hold the impending invasion at bay.
But dealing with the occult exacts a price. And that price must be paid in blood.
Thoughts:
The blurb for this book sounded so cool I couldn't wait to read it. It sounds a little like X-Men meets Lovecraft and, in some ways, it is. But it is also much, much darker. Starting in 1920, Tregillis introduces us to his main characters as children, some orphaned by the Great War. What I really liked about this book was that, despite the potential for it to lurch into comic book territory, it treats its subject matter with respect even when it's drawing on elements of science fiction, fantasy and horror, and it always, always places the characters first and foremost - which I found pleasantly surprising considering the Hollywood aspect of its USP.
His main characters are both British and German, and they are all fully fleshed out individuals, none of whom overstay their welcome, and all of whom you want to know more about. He doesn't invite you to favour one side or the other - all motives are shades of grey, and each side is seemingly capable of despicable acts. So clever is he with his characterisation that my favourite character in the book was the one who had the least 'screen time', Gretel, the German orphan who can see the future. His story is somewhat episodic in nature, covering the period 1939 to 1941, and leaves much to the imagination, often jumping back into the story to tell of the aftermath of certain events. Being effectively and alternate history tale, the effect his characters have on real-life events can be quite chilling.
At no time does Tregillis play it for laughs. This is very much a 'what if?' novel, rather than a crash-bang blockbuster. The action, when it comes, is frightening and brutal, and the way he shows his characters dealing with the consequences of their actions is wholly believable. However, in one particular case, that these characters would even consider such actions in the first place is a little debatable.
This is Tregillis's first novel, and the first in his 'Milkweed Triptych', and it is an astonishingly good start. The second book, The Coldest War, arrives in February, with the final instalment, Necessary Evil, coming just two months later. Can't wait!
8/10