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Ben Mines

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Posts posted by Ben Mines

  1. I think it should be said, first off, that we cannot have a meaningful discussion about a book you haven't read. But I would like to respond to a few of the points you make:

     

    I don't think that too abstract, modernist, post-modern, etc. forms suit literature (especially literature of ideas) because the simpler your structure, the more limbs you can go out on as regards the meaning, content, message, etc. of what you're writing.

     

    I'm not sure I understand. Isn't this is like saying the simpler your structure, the more complex you can make it? Can you please explain how this is not a contradiction?

     

    If you are saying that the underlying structure of a book should be simple, but with lots of "limbs" then you have described Ulysses. What could be simpler than the day in the life of three ordinary Dubliners? But if you are simply saying that you favour simplicity of form for a literature of ideas, then I agree, so long as it is a literature of simple ideas. Thereby, you are also writing off almost every important modernist text as well as almost every development in the visual arts since the start of the 20th century.

     

    Thomas McGreevy summed up Ulysses' place in literature beautifully when he said:

     

    As Homer sent his Ulysses wandering through the inferno of Greek mythology and Virgil his Aeneas through one of Roman mythology so Dante himself voyaged through the inferno of the mediaeval Christian imagination and so Mr. Joyce sent his hero through the inferno of modern subjectivity.

     

    Ulysses deals with the "inferno of modern subjectivity", which is anything but simple.

     

    Hence why I write/like to read stories with defined beginnings, middles and endings

     

    Again, you really do need to read a book to judge it. Ulysses is one of the most carefully structured books I have ever read. In fact, the exactness with which Joyce orchestrates every detail of his plot is staggering. In one of his essays, Borges speaks of a "teleology of words and episodes" that is the hallmark of good literature, concluding that,

     

    The most perfect illustration of an autonomous orb of omens, confirmations, and monuments is Joyce's preordained Ulysses.

     

    "Worthy of Shakespeare"? I don't think so. Give or take the odd archaisms and obscure historical/literary/mythological references, Shakespeare wrote plays that we can still enjoy today, because we can understand them...! Even an unedited Shakespeare play (I'm talking Early Modern printing with unfixed spelling here, full of typesetting errors) is easier to read than "Ulysses". That's not right, surely?

     

    Borges said, "lines worthy of Shakespare"; he was not saying that Ulysses was comparable to one of Shakespeare's plays. Furthermore, believe it or not, people also understand and enjoy Ulysses.

  2. Just out of curiosity, BookJumper, how far through it did you get before you "gave up in dismay" ?

     

    I would argue that most of what you need to know to understand the main theme of the book—which is how Stephen, Bloom and Molly spend June 16, 1904—is contained within the book itself: by the time you finish it, every loose end has been fussily tied up.

  3. It seems as though the fate of Ulysses is to be a book that is given the highest possible praise by academics and writers but which no one reads.

     

    It is widely considered to be not only the greatest achievement of literary modernism, but the greatest book ever written. It tops the NY Times and Modern Library 100 Best list, and has garnered the highest praise from countless literary lights, from Jorge Luis Borges to Vladimir Nabokov. Nabokov's praise (he called it "The greatest book ever written") is especially noteworthy, seeing as he heaped curmudgeonly scorn on almost every other darling of the literati (see Strong Opinions), while Borges, (who should know: he probably read more than has any man who ever lived), opined that Joyce wrote lines, "worthy of Shakespeare." And yet, despite all this, I have not met a single person, in the flesh, who has actually read it.

     

    To begin with, I am simply interested to know if anyone else has actually read it.

  4. One, but at the moment I am reading 5.

     

    Ulysses with: The New Bloomsday Book: A Guide Through Ulysses; Ulysses Annotated; James Joyce's Ulysses: A Study; and Ulysses: Edited with an Introduction and Notes by Jeri Johnson.

     

    I quickly learnt that if you are going to make this odyssey, it is best to be armed to the teeth.

  5. The one you posted up is the edition I have, however, the picture on the cover, although the same is half the size. Glad I got this one then.

     

    Sorry, when I said how did you find it, I meant how did you come across it, by recommendation? I stumbled upon it searching through the ancient section where I was. It definitely stood out.

     

    Oh. I think I first heard of it reading Foucault's Pendulum by Umberto Eco.

  6. Ben- replied to the Hypnerotomachia Poliphili thread, couldn't find a way to PM you?

     

    Just one thing, Bookologist. When you order this book, be sure to order the hardback edition! The cover of the paperback edition is a gaudy commercial farce, with a loud plug for The Rule of Four, which horribly mars the value of the book as an aesthetic object, which is something it was emphatically intended to be.

     

    See for yourself. (I couldn't find a bigger image of the softcover edition, but you can probably see from this thumbnail that it's hardly what the creator of this supremely elegant book had in mind).

     

    The softcover cover:

     

    t_1m_4fa8a5f.jpg

     

    The hardcover cover:

     

    t_2m_fcc3dfe.jpg

  7. How did you find it Ben Mines?[/font][/size][/font][/size]

     

    I found it pretty much as I described in my review: Tedious, eccentric, strange, beautiful, and very rewarding.

     

    You will probably wear out several dictionaries looking up obscure architectural terms, but be sure to forge through to the end. It's definitely worth the effort.

  8. Most official best lists make me cringe and really are not to be taken too seriously.Fyodor Dostoyevski- The Brothers Karamazov (imo any official list without this on it is embarassing) one of the best books ever, possibly thee best.Victor Hugo- The laughing man.Franz Kafka- The trial.Alain Fournier- Le Grand Meaulnes.Moliere- Tartuffe.Impossible really to conduct a top 5, you could go on and on.Ben Mines- Good list! just bought Hypnerotomachia Poliphili & Don Quixote. Monuments of literature.

     

    Thanks Bookologist.

     

    I posted a review of the English translation of Hypnerotomachia Poliphili here. It didn't attract much attention, but then again (at least, so I tell myself) it's not a book that many people read. :D

     

    (Warning: plot spoilers a gogo).

  9. FROM POSTHUMOUS POEMS, 1824

    PERCY BYSSHE SHELLEY

     

    THE WANING MOON.

     

    And like a dying lady, lean and pale,

    Who totters forth, wrapped in a gauzy veil,

    Out of her chamber, led by the insane

    And feeble wanderings of her fading brain,

    The moon arose up in the murky East,

    A white and shapeless mass—

     

     

    TO THE MOON.

     

    Art thou pale for weariness

    Of climbing heaven and gazing on the earth,

    Wandering companionless

    Among the stars that have a different birth,—

    And ever changing, like a joyless eye

    That finds no object worth its constancy?

  10. I resubmit:

     

    1. Ulysses, James Joyce

    2. Pale Fire, Vladimir Nabokov

    3. Heart of Darkness, Joseph Conrad

    4. The Man Without Qualities, Robert Musil

    5. Collected Fictions, Jorge Luis Borges

    6. War and Peace, Tolstoy

    7. A Portrait of the Artist as a Young Man, James Joyce

    8. Time's Arrow, Martin Amis

    9. Don Quixote, Cervantes

    10. Moby Dick, Herman Melville

    11. The Anatomy of Melancholy, Robert Burton

    12. The Ticket that Exploded, William Burroughs

    13. The Captive Mind, Czeslaw Milosz

    14. Gargantua and Pantagruel, Francois Rabelais

    15. Hamlet, Shakespeare

    16. Hypnerotomachia Poliphili, Colonna

    17. Islands in the Stream, Ernest Hemingway

    18. Invisible Cities, Italo Calvino

    19. Confessions of an English Opium Eater, De Quincey

    20. Magic Mountain, Thomas Mann

  11. Does anyone have the link to the BBC article in which this list appeared?

     

    I fail to see what criteria were used. How could anyone put The Da Vinci Code and Ulysses on the same list?! War and Peace and Bridget Jones' Diary?! Also, number 14 is the Complete Works of Shakespeare and 98 Hamlet.

  12. 1 Pride and Prejudice - Jane Austen

    2 The Lord of the Rings - JRR Tolkien

    3 Jane Eyre - Charlotte Bronte

    4 Harry Potter series - JK Rowling

    5 To Kill a Mockingbird - Harper Lee

    6 The Bible

    7 Wuthering Heights - Emily Bronte

    8 1984 - George Orwell

    9 His Dark Materials - Philip Pullman

    10 Great Expectations - Charles Dickens

    11 Little Women - Louisa M Alcott

    12 Tess of the D’Urbervilles - Thomas Hardy

    13 Catch 22 - Joseph Heller

    14 Complete Works of Shakespeare (Read 10 plays and the sonnets)

    15 Rebecca - Daphne Du Maurier

    16 The Hobbit - JRR Tolkien

    17 Birdsong - Sebastian Faulk

    18 Catcher in the Rye - JD Salinger

    19 The Time Traveller’s Wife - Audrey Niffenegger

    20 Middlemarch - George Eliot

    21 Gone With The Wind - Margaret Mitchell

    22 The Great Gatsby - F Scott Fitzgerald

    23 Bleak House - Charles Dickens

    24 War and Peace - Leo Tolstoy

    25 The Hitchhiker’s Guide to the Galaxy - Douglas Adams

    26 Brideshead Revisited - Evelyn Waugh

    27 Crime and Punishment - Fyodor Dostoyevsky (First in TBR line)

    28 Grapes of Wrath - John Steinbeck

    29 Alice in Wonderland - Lewis Carroll

    30 The Wind in the Willows - Kenneth Grahame

    31 Anna Karenina - Leo Tolstoy (Second in TBR line)

    32 David Copperfield - Charles Dickens

    33 Chronicles of Narnia - CS Lewis

    34 Emma - Jane Austen

    35 Persuasion - Jane Austen-

    36 The Lion, The Witch and The Wardrobe - CS Lewis

    37 The Kite Runner - Khaled Hosseini -

    38 Captain Corelli’s Mandolin - Louis De Bernieres

    39 Memoirs of a Geisha - Arthur Golden

    40 Winnie the Pooh - AA Milne

    41 Animal Farm - George Orwell -

    42 The Da Vinci Code - Dan Brown

    43 One Hundred Years of Solitude - Gabriel Garcia Marquez

    44 A Prayer for Owen Meany - John Irving

    45 The Woman in White - Wilkie Collins

    46 Anne of Green Gables - LM Montgomery -

    47 Far From The Madding Crowd - Thomas Hardy-

    48 The Handmaid’s Tale - Margaret Atwood

    49 Lord of the Flies - William Golding

    50 Atonement - Ian McEwan

    51 Life of Pi - Yann Martel

    52 Dune - Frank Herbert

    53 Cold Comfort Farm - Stella Gibbons

    54 Sense and Sensibility - Jane Austen

    55 A Suitable Boy - Vikram Seth -

    56 The Shadow of the Wind - Carlos Ruiz Zafon

    57 A Tale Of Two Cities - Charles Dickens-

    58 Brave New World - Aldous Huxley

    59 The Curious Incident of the Dog in the Night-time - Mark Haddon

    60 Love In The Time Of Cholera - Gabriel Garcia Marquez-

    61 Of Mice and Men - John Steinbeck

    62 Lolita - Vladimir Nabokov-

    63 The Secret History - Donna Tartt

    64 The Lovely Bones - Alice Sebold

    65 Count of Monte Cristo - Alexandre Dumas

    66 On The Road - Jack Kerouac-

    67 Jude the Obscure - Thomas Hardy

    68 Bridget Jones’s Diary - Helen Fielding

    69 Midnight’s Children - Salman Rushdie

    70 Moby Dick - Herman Melville

    71 Oliver Twist - Charles Dickens

    72 Dracula - Bram Stoker-

    73 The Secret Garden - Frances Hodgson Burnett

    74 Notes From A Small Island - Bill Bryson

    75 Ulysses - James Joyce

    76 The Inferno - Dante-

    77 Swallows and Amazons - Arthur Ransome

    78 Germinal - Emile Zola

    79 Vanity Fair - William Makepeace Thackeray -

    80 Possession - AS Byatt -

    81 A Christmas Carol - Charles Dickens

    82 Cloud Atlas - David Mitchell

    83 The Color Purple - Alice Walker

    84 The Remains of the Day - Kazuo Ishiguro

    85 Madame Bovary - Gustave Flaubert

    86 A Fine Balance - Rohinton Mistry -

    87 Charlotte’s Web - EB White

    88 The Five People You Meet In Heaven - Mitch Albom

    89 Adventures of Sherlock Holmes - Sir Arthur Conan Doyle

    90 The Faraway Tree Collection - Enid Blyton -

    91 Heart of Darkness - Joseph Conrad

    92 The Little Prince - Antoine De Saint-Exupery

    93 The Wasp Factory - Iain Banks

    94 Watership Down - Richard Adams

    95 A Confederacy of Dunces - John Kennedy Toole

    96 A Town Like Alice - Nevil Shute

    97 The Three Musketeers - Alexandre Dumas

    98 Hamlet - William Shakespeare

    99 Charlie and the Chocolate Factory - Roald Dahl

    100 Les Miserables - Victor Hugo

     

    I didn't do too well, but then, many of the books on this list are mediocre at best.

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