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KW

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  1. This book is a departure for Brown who usually writes romance suspense with graphic violence and graphic sex and foul language. That's why I stopped reading her.

     

    But I read a review that SAID this book was different. Softer.

     

    And it was.

     

    Brown's writing style isn't anything out of the ordinary: very simplistic, so the read is pretty fast. I have to say, I am VERY hard to please when it comes to books. THE ROAD? Couldn't take the monotonous tone of the voice. HUNGER GAMES? The heroine's character was too much 'the author' not enough a young girl to be real. At least to me. These are just examples of why these huge books didn't hold my interest. That, and the subject matter was unpleasant.

     

    In Rainwater, Ella runs a boarding house during the depression. A dying man ( we never know what he's dying from ) comes to rent a room. Their lives twine through mundane, every day events in an interesting, educational ( the details about the period are good, you get a realistic idea of life during this period of time ) and tighten as they become better acquainted.

     

    It's a small town, simple story about love, family and hope with no swearing, some violence and no sex but plenty of tension between Ella and Mr. Rainwater.

     

    I give it four and a half stars.

     

    Will I read another Brown book? Probably not. One departure out of many books does not an author's general writing make.

  2. A writing teacher I had once said that few of the "classics" would be published in today's market: too long.

     

    As the public's attention span shortens with vibrant, quick video games, TV and film options long verbose books aren't popular.

     

    I have to agree with him, I find them slow.

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