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Alexander's Reading 2012


Alexander the Great

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Books I've read so far in 2012

  1. Harry: A History by Mellisa Anelli
  2. Diary of a Wimpy Vampire by Tim Collins
  3. Bright Lights, Big Ass by Jen Lancaster
  4. Veronika besluit te sterven by Paulo Coelho
    English: Veronika Decides to Die
  5. Island by Jane Rogers
  6. Super Sad True Love Story by Gary Shteyngart
  7. Hey Nostradamus! by Douglas Coupland
  8. The Interpretation of Murder by Jed Rubenfeld
  9. Mailman by J. Robert Lennon
  10. Maddie by Gonçalo Amaral
  11. Het Anastasia Syndroom en andere verhalen by Mary Higgins Clark
    English: The Anastasia Syndrome and other stories
  12. Harry Potter and the Philosopher's Stone by J.K. Rowling
  13. Silence of the Lambs by Thomas Harris
  14. Digital Fortress by Dan Brown
  15. De boekhandelaar van Amsterdam by Amineh Pakravan
  16. Blijf Thuis! by Patrick de Witte
  17. The Perks of Being a Wallflower by Stephen Chbosky
  18. Jongensdroom by Sven Biebuyck
  19. Hannibal by Thomas Harris
  20. Amy Winehouse by Chas Newkey-Burden
  21. De vrouw die op Greta Garbo leek by Thomas Ross & Maj Sjöwall
  22. Virginia Woolf by Alexandra Harris
  23. Hannibal Rising by Thomas Harris
  24. Meisje met de parel by Tracy Chevalier
    English: Girl with a Pearl Earring
  25. Sorry by Zoran Drvenkar
  26. Room by Emma Donoghue
  27. Scottsboro by Ellen Feldman
  28. Blue Monday by Nicci French
  29. De ongewone lezer by Alan Bennett
    English: The uncommon reader
  30. Poorten van de nacht by Brigitte Riebe
    English: Gates of the night
  31. De vrouw van de boekbinder by Belinda Starling
    English: The Journal of Dora Damage
  32. Fahrenheit 451 by Ray Bradbury
  33. De boodschapper van de koningin by Sharon Kay Penman
    English: The Queen's Man
  34. Frankenstein by Marry Shelley
  35. Mannen die vrouwen haten by Stieg Larsson
    English: The Girl with the Dragon Tattoo
  36. Boven Zee, onder Steen by Susan Cooper
    English: Over Sea, under Stone
  37. De Duistere Vloed by Susan Cooper
    English: The Dark is Rising
  38. Groenheks by Susan Cooper
    English: Greenwitch
  39. De Grijze Vorst by Susan Cooper
    English: The Grey King
  40. The Book Boy by Joanna Trollope
  41. Zilverboom by Susan Cooper
    English: Silver on the Tree
  42. The Fault in our Stars by John Green
  43. Parrotfish by Ellen Wittlinger
  44. De vrouw die met vuur speelde by Stieg Larsson
    English: The Girl Who Played with Fire

Edited by Alexander the Great
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Frankenstein, by Mary Shelley

 

Started: 28 August 2012

Finished: 4 September 2012

 

What an insanely good novel!

 

General thoughts

 

I read this novel in English, and English is my second/third language. I speak and understand English very fluently, but novels like this one remind me that I'm not a native speaker. The style is very bombastic, but I knew that when I started reading. It's typical for the time, and this is a classic in the genre. It was a struggle to get through at some points, and I frequently had to re-read sentences, but I enjoy a good challenge.

 

The story

 

Frankenstein is one of those stories which has been adapted numerous times. It has been made into movies, used as inspiration for other stories, been simplified for younger readers, made into plays, etc. Naturally, I knew the story. I knew that 'Frankenstein' is the name of the man who made the 'monster', and not of the 'monster' himself. I knew the main events of the story. That said, it is a great accomplishment of Mary Shelley's that I was still fascinated when reading, and that I still felt suspense and curiosity.

 

Frankenstein tells a story of three men, two of whom feel that they are the most unlucky creatures having ever wandered the Earth. We read both their stories, one a bit more than the other, and Shelley drags us into their worlds and their minds. We get to know them on an intimate level, and most importantly, we get shown what their motives are. Up until the very end, I never felt like I was told who I should feel sorrier for, and I appreciated that. I loved the descriptions of the countries and the travels, showing a nice general picture of 18th-century Europe. It is amazing how much knowledge a 19-year-old girl had of Europe in the 18th century.

 

Mary Shelley understands the art of showing and not merely telling. The story begins with Frankenstein's parents meeting, and that immediately gives the reader an incredible insight into his background and character. We meet the 'monster' from his very creation as well. We witness their changes of heart. We are given the circumstances in which they made their decisions, and it's up to the reader to figure out who they side with, and if they side with anyone.

 

I felt so much compassion for the 'monster'. I know a lot of people feel this for Frankenstein as well, but I couldn't. I feel he brought it on himself first and foremost - for a man of both science and philosophy, he really didn't think his project through. But most of all, his initial reaction when the 'monster' came to life, and all the subsequent reactions, were very unfair, premature and narrow-minded.

 

The original vs adaptations

 

I feel that this original work far transcends any later adaptation. So many essential parts of the story were left out - essential because they added to the feeling that the writer evokes, and the compassion. Later adaptations mainly seem to go for the sensation angle, and I don't think that was Shelley's intention at all.

Edited by Alexander the Great
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  • 3 months later...

The Dark is Rising series, by Susan Cooper

 

Started: 18 September 2012

Finished: 15 December 2012

 

Note: During the month of November and the first half of December, I didn't read anything because I was doing my teaching practice.

 

I remember reading these books seven or eight years ago. They were in the school library then, and when I recently saw them during my training at the local public library, I was flooded by a wave of nostalgia. I remembered some of the characters and a little about the world this was set in. I remembered the book with fondness, and that I'd liked reading them. Of course, I was only about 13 years old when I first read them, so I was well aware that my opinion might change entirely. It happened before - Dance on my Grave by Aidan Chambers used to be my favourite book around age 15, and when I re-read it two or so years ago, I hardly got through it.

 

I wasn't disappointed, though. The books were just as charming as I remembered them. They'd been more magical in my memory - I was really sucked into the story before, whereas now I never really got that feeling. But still, the characters were likeable but not perfect. They were credible kids/early teens. This series was written in the 60s and 70s of the previous century, and I found something quite refreshing about the way they'd really just play with the things they found, and decide to go on walks and take a picnic, and how they'd make an adventure out of discovering new houses they were staying at. It was a welcome change from the nowadays frequent whiny kids sulking about leaving behind their computers and gaming consoles.

 

My favourites in the series are the first, Over Sea, Under Stone and the third, Greenwitch. They're followed by the second, The Dark is Rising. Then comes the fourth, The Grey King and finally the last one, Silver on the Tree. Especially the third and the fourth read very fluently - I finished both in two days each. The last one was a complete drag to get through, though, and it took me weeks to finish it.

 

All in all, this is a series I would really recommend for younger kids who like fantasy. The main characters are between the ages of 8 and 12 throughout the series.

 

The Book Boy, by Joanna Trollope

 

Started: 8 December 2012

Finished: 8 December 2012

 

In only 94 pages, the author succeeds in creating very layered characters - not one character in this novel is simple or one-dimensional. This story about a woman who doesn't know how to read at age 38 finally going against her husband and standing up for herself is never cheesy or sentimental, which would have been an easy road to take. It is heart-warming though, and I do wish there were a more extensive version. The characters were really interesting, and I'd have loved to read more about their lives and developments.

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The Fault in our Stars, by John Green

 

Started: 14 December 2012

Finished: 16 December 2012

 

This is my first John Green novel and I'm not sure how I feel about it. John Green writes a fluent story and creates interesting characters, but perhaps that is the problem: the characters are too interesting, too quirky. To use two words I hate: too hipster, too pretentious. Don't get me wrong - I love quirky weird people and I love to read them about, but these just weren't credible at all as teenagers. They reminded me a little of the characters in Marisha Pessl's Special Topics in Calamity Phyics and Stephen Chbosky's The Perks of Being a Wallflower. They use words and references and care about things not any teenager I've ever known or been uses or cares for. They're too smart, too cultured. In those novels I also thought that the characters, while interesting and intriguing, were just a tad bit over the top. They're what we like to imagine, but they're not real. And I mean - just - Augustus? Really? It also annoyed me a little how many times the writer would use his full name - Augustus Waters - all the time. There was only one Augustus. Also the fact that 'Augustus Waters', 'Augustus' and 'Gus' seemed to be used randomly, instead of sticking to referring to the character by one name only.

 

That doesn't mean it was a bad novel. I liked it. I read it quickly because I did like the characters and felt attached to them. I cared for them and wanted to know what would happened to them. But for a book that seems to want to make you believe you're reading about people you know - well, I just can't imagine running into a Hazel, Isaac or Augustus at the supermarket.

 

I do want to give some other John Green novels a shot, but I'm sceptical.

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Great review of The Fault in our Stars. I felt the same way and had to give up on it. I just couldn't believe the characters spoke and acted the way they did; I certainly didn't when I was a teenager and nor did any of my friends. I think it's the most popular of his books, at least judging from the reviews. I read Paper Town, which I enjoyed quite a bit - at least significantly more than The Fault in our Stars. I don't know - maybe you have to be full of teenage angst to be able to fully appreciate it. :giggle:

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@bobblybear: As I mentioned in my review, there are some other YA novels out there who use the same type of characters. I'm sure there are much more than I mentioned, since I sometimes read YA novels but don't spend all my reading time on them. I wonder where that comes from - is this the ideal image of teenagers the authors have? Do they feel they have to create these kinds of characters to make their novels interesting or appealing? I also wonder if the YA audience really likes it that much. Thinking back to the kids I taught for a few weeks - they're all in the target audience of the YA genre - I imagine most of them would roll their eyes and find it hard to care. Also, Augustus was very Gary Stu for me. I mean, come on, he's good-looking, smart, a gentleman, charming and totally in love with Hazel, who we are led to believe is very ordinary?

 

@chaliepud: Maybe I'll try Looking for Alaska, but based on what I've read about it seems very similar to The Fault in our Stars. Apparently, John Green seems to use a kind of formula - as Nicholas Sparks does. I do prefer an original author with fresh ideas who can surprise me.

 

Parrotfish, by Ellen Wittlinger

 

Started: 16 December 2012

Finished: 19 December 2012

 

This is, again, a YA novel. The difference with the previous one I read - John Green's The Fault in our Stars, the main character is a more realistic teenager. Grady can be moody, selfish, vain and think everyone is always talking about him - but deep down, he really is a good kid. I really like how the author managed to create such a realistic character. As a reader, I didn't always like him and it takes courage to use a main character who isn't always likeable.

 

The novel spans about a month in Grady's life and I felt it was ended at the right point, which is an art in itself. There were several original and/or fun backstories going on - for example, Eve and Grady having been homeschooled by their moms for most of their lives, and the impact of going to a public high school on their friendship. Then there's Grady's dad's obsession with the Christmas decorations, and his Jewish mum bearing it all those years, and how no family member has the heart to tell him they don't actually enjoy the excessiveness that much.

 

The novel is flawed, though. I think I'd have been more awed reading this at age 14 or so - target audience. I would've been less critical, I think. For starters, I wish we'd read more about the other characters. I understand Grady Katz-McNair is the main character and narrator, but Sebastian Shipley was just brilliant, and I liked Eve well enough. I wasn't too keen on Russ and Kita, and I don't believe Kita would react to a real-life Grady that way.

 

I wasn't that happy about Ms Unger's part in the events either. She sounded very much like what kids want a cool teacher to be like and how they'd like a teacher to react - but as a nearly graduated teacher I can safely say it just doesn't happen that way. A real teacher would never do what Ms Unger did.

 

What also bothered me was how quite a few times the author would mention Grady 'choosing to be a boy' and 'changing gender' or using terms like 'I'm a boy now'. He's always been a boy, he didn't change gender but wants to change his sex. It's delicate terminology, and I wished the author had kept it in mind more as it's the central point of this story - that it's not a choice, that he's always been that way inside.

 

All in all, it's certainly a book I'd recommend to teenagers. In all honesty, I think I'd recommend this book because of the lack of competition of books handling this specific subject - a female-to-male teenager in high school living his life as best as he can. I think the book certainly benefits from that, as most YA books dealing with transgender characters are either about male-to-female teenagers, or about a main character who knows someone who is transgender, and how hard it is for the main character to deal with their transgender friend.

Edited by Alexander the Great
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