The Wine of Angels by Phil Rickman
"'Gappy old grin, eyes like grey holes ... these very branches. Look up, Janey...' It looks like a paradise parish: cobbled streets, black and white timber-framed houses. But, even before she moves in, Merrily Watkins, the new priest, has witnessed an ugly death. Soon she'll be involved in a bitter dispute over a play about a 17th century vicar accused of witchcraft ... a story which certain old families would rather remained obscure. Welcome to Ledwardine, steeped in cider and secrecy. And, as Merrily and her teenage daughter, Jane, discover, a village where horrific murder is a tradition spanning centuries."
I've only read one of Rickman's other novels, The Bones of Avalon, which was a historical novel, quite different from this one. Even though the village of Ledwardine's local history is a huge factor in this book the setting is contemporary and I did notice that Rickman's writing style was quite different and made for a quicker read. I think this was largely down to the main characters being very likeable, especially Jane, Lol and Gomer. Merrily, too - although, for a priest, she does come across as something of a blaspheming, chain-smoking neurotic, which I think was intentional, as she has turned to religion as a way of dealing with the death of her cheating, embezzling crook of a husband. Also, the first thing she witnesses in Ledwardine is an old man blowing his own head off with a shotgun, so it's got to have an effect, right?
The novel moves along at quite a pace. This is surprising, because the first half is largely scene-setting. There's a tantalising supernatural element to the mystery of Ledwardine, and particularly its orchard, which always seems to loom in the background, almost like one of those creepy woods you used to see in old black and white horror movies. One local, an older lady called Lucy, says that the old guy's suicide, which took place in the orchard, has offended the spirits there, and Merrily's daughter Jane has a drunken out-of-body experience there which leads her to befriend Lucy and start to believe what the old lady's saying. Merrily, meanwhile, gets caught up in a local wrangle over a festival and a playwright's wish to stage a production in the church about a 17th century priest who was persecuted and hung (in the orchard, no less) for supposedly being a witch. All the while she's having nightmares involving her dead husband and ghostly goings-on in the vicarage into which she and Jane have moved.
It's how Rickman orchestrated these - and other - subplots, introduces a large cast of supporting characters, most of whom are suspicious or unpleasant on one level or another, and brings them all together that I found really entertaining. I think the book is probably about 150 pages too long, but the end is quite exciting, the characters well developed, and it left me wanting to spend more time with them. I'm hoping that, now all the scene-setting has been done, the next book will be even better.
90p well spent, I think!
8/10