I wouldn't dare take all that credit; a good slice of that cake goes to my undergrad Shakespeare tutor, who turned a vague sort of liking for the few bits I'd read into an ardent passion. He was the kind of professor that clearly loved his subject and saw to it that you loved it too - many times it happened that the hour passed and we didn't notice to the point that we stayed an extra half an hour. Everybody should be so lucky as to have a teacher like Dr Michael Davies.
Aw don't be daunted my advice is find out themes of the major plays and discover which one interests you the most; then, before you read it, rent it on DVD - some film versions are actually outstanding and trust me, a good actor can drive home the underlying meaning of seemingly incomprehensible lines. Some of the ones I'd personally recommend are:
The Merchant of Venice with Al Pacino, Jeremy Irons and Joseph Fiennes (themes: religious intolerance and hypocrisy, revenge)
Twelfth Night with Helena Bonham-Carter and Ben Kingsley (main theme: unrequited or impossible love)
King Lear with Ian McKellen (themes: the loneliness of old age and the greed of youth).
I haven't seen all of Kenneth Branagh's Othello quite simply because I find it a painful play to watch (themes: jealousy, lack of trust, racism) but from the few scenes I've seen Branagh was born to play Iago.
There are many other good Shakespeare films out there but these I'd recommend as a good balance between well acted, well directed and easy to engage with. I (for one) believe Oliver's Hamlet and Henry V to be magnificent, but they're not exactly user-friendly.
May I also recommend, to the world at large, ATV's mini-series Will Shakespeare with (wait for it) Tim Curry as Will Shakespeare? With his sarky wit Curry would have seemed more suited to playing the dangerous and controversial Christopher Marlowe, and yet he brings to Shakespeare's character a poignant, exuberant vibrancy that really delivers.
There's more than a shade of The Rocky Horror Picture Show's Dr. Frankenfurter in his interpretation and yet, don't ask me how, it works: one feels a sympathy for his egotistical and dissipated Shakespeare that one doesn't feel for the egotistical and dissipated Shakespeare of Rupert Graves A Waste of Shame: The Mystery of Shakespeare and his Sonnets.
erm, sorry, I went on a bit. That is all.