So last night I finished Sweet Tooth and I must say I enjoyed it very much. There's something about McEwan's writing that I adore - he's got such a wonderful way with words, and his attention to detail across various, often very different subjects, is marvellous. I have still only read this and Saturday but I feel like I'll almost definitely get around to more of his work at some stage.
Review
Sweet Tooth tells the story of Serena Frome ("rhymes with plume") and her various romantic attractions. She has an unquenchable thirst for reading, rattling through a few novels every week (reminded me a lot of some of you guys *laughs*). Intelligent at school and with a talent for mathematics, she gains entrance to Cambridge but struggles with her studies there. Instead she immerses herself in her novels and ends up with only a third. While there, however, she meets professor Tony Canning, and there begins an affair that acts as the catalyst for the rest of the novel's events.
The professor abruptly calls of the affair, but not before grooming Serena for a shot at an MI5 interview. It's low level, mundane, but our narrator finally gets a chance to prove herself when she's called in to operation 'Sweet Tooth' - an attempt to counter Communist propaganda coming out of the Cold War. She must meet and offer financial services to the young writer Tom Haley, who's short stories she falls in love with - then the man himself. It's a romance based on betrayal and it doesn't take long before things start to unravel.
McEwan writes with a polished touch, describing anything from the intricate politics surrounding the Cold War and the inner-workings of the secret service, to the sometimes delightful moments of romance and love that Tom and Serena share. With money being provided by the agency, our young writer is free to write without pressures, working on his first novel whilst at the same time frivolously throwing money at champagne and oysters.
Serena is haunted by the abrupt ending of her relationship with Tom Canning, and there's more to the story than even she knows. In a web of lies and deception even as she leads a double life with Tom, Serena herself is also in the dark. McEwan here explores the seventies wonderfully - the strikes, the political crisis, and threats of terrorism looming overhead. At times the history might seem heavy-handed, the Cold War exploration a little too detailed. Yet the suspense is there in abundance, and never quite knowing who to trust makes for a gripping narrative.
The author's 'stories within stories' type of novel blurs the lines between fiction and truth. The novel at heart isn't even about espionage in the proper sense, rather deception and the power of literature. Peppered with references, this multi-layered novel is clever in its execution, and genius in its dénouement. Tightly constructed, the reveal acts as a wonderful twist. The general consensus may be that this isn't quite McEwan's best novel, but in this readers' eyes, it's certainly worth the read.
★★★☆☆.