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Journey to the End of the Night

   (1 review)

Description

First published in 1932, Journey to the End of the Night was immediately acclaimed as a masterpiece and a turning point in French literature. This edition contains a foreword by John Banville. Told in the first person, the novel is based on the author's own experiences during the First World War, in French colonial Africa, in the USA - where he worked for a while at the Ford factory in Detroit - and later as a young doctor in a working-class suburb in Paris. Celine's disgust with human folly, malice, greed and the chaotic state in which man has left society lies behind the bitterness that distinguishes his idiosyncratic, colloquial and visionary writing and gives it its force.


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Hux

  

My favourite book.

 

It begins in World War I with Bardamu (Celine's alter ego) and explores the trauma and futility of the war. Bardamu meets his doppelganger, Robinson, a character that comes and goes throughout this life (a character I have theories about). Bardemu goes to Africa which results in yet more suffering and confusion. Then he goes to New York and works at the Ford company and meets a prostitute called Molly. Then the book jumps ahead six years to when Bardamu has become a qualified doctor. He begins working in a working-class suburb of Paris and deals with horrific things such as botched abortions, miscarriages and the death of a local child. This is where Leon Robinson, becomes a regular character in his life. 

 

The book is often described as a celebration nihilism. Celine has very little respect for humanity. To him, it's suffering, crime, greed, and pain. He witnesses awful things but responds to them as though they're the utter embodiment of normalcy (the book is actually quite funny because of this). Even when Robinson plots to murder an old woman, Bardamu doesn't care, he simply thinks... 'it's nothing to do with me.' There's an underlying message about the trauma caused to both him and Robinson due to the war. They have both been numbed to the point that they are no longer human.

 

The prose is some of the most exquisite I've ever come across. Which is interesting because it was made famous for its more authentic, real-life writing. Céline uses ellipses to add emphasis here and there (a technique he over uses in Death on Credit in my opinion) and he repeats sentences and words in a similar fashion. It's extremely effective. 

 

There's a chapter where he's on the boat to Africa which is amazing. It encapsulates humanities distrust of other people and their tendency to hate. Bardamu doesn't speak much or get involved so everyone on the ship turns against him and you genuinely feel the sense of threat, that they might actually kill him for daring to be different. 

 

Celine, of course, was a noted antisemite in real life. That might be an issue for some. Personally speaking, the fact that Celine is a fairly awful person himself only makes the book resonate more. I have a tendency to separate the artist form the art. And thank God because this book is a masterpiece.

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