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Willoyd's Read Around The World


willoyd

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Book #35: The Bone Readers by Jacob Ross for Grenada *****
The book for Grenada in my Reading The World project.  I don't often read crime fiction, although I am a fan of both Simenon (Maigret) and Leon (Brunetti), and have enjoyed a fair few others (admittedly usually historical fiction, like CJ Sampson).  However, this appealed from the word go, and in the event didn't disappoint.  As with all the best crime fiction, it's so much more. Yes, it has a good plot (and this is not cosy crime, having corruption, child abuse and statutory rape at the heart of the problem), but that's not what makes a book for me. What I enjoyed were the strongly drawn characters (both male and female), the sense of place (a major part of why I so enjoy Simenon and Leon), and the insights into island culture and politics. The author tries to reflect the local patois in his dialogue, and yet still manages to leave it eminently readable and understandable, only demanding a couple of rereads when I realised I'd misunderstood something!

In short, I find this pretty much unputdownable, reading into the early hours to finish off last night - that doesn't happen often with me!  And, as a confirmation of how good I thought this was, I've already ordered Ross's other two novels from my local bookshop.  Whether it gets upgraded to 6-star/favourite status later, time will tell, but in the meantime, this is an easy 5-star grading.

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  • 2 weeks later...

Book #36:  The Sorrow of War by Nao Binh for Vietnam **

A classic of the Vietnamese war I understand, on a par with All Quiet on the Western Front and other war greats. I can see sort of see why, but personally I found this a tough, unrewarding read, boring me rigid before I reached half way, and struggling to make it to the end of what is, after all, only a slim 220 pages or so. Graphic in detail (the even mildly squeamish should be wary), unrelenting in its grimness, it may well be an all too starkly accurate portrayal of what the war was like, but I also found it repetitious and narrow in its language (this, of course, may be a function of the translation), equally repetitious in its narrative, and disjointed in its telling - chronological this is not (I don't normally find this a problem, but on this occasion it just confused). The odd attempt at metafiction just felt clumsy. All of this, for some readers (actually, most readers from the reviews - I'm definitely in a minority here) may well add to the impact, or carry this into the realms of the classic, but I'm afraid it just lost me about a quarter of the way in, and with only occasional remissions, it remained that way to the end, by which time I was really having to force myself not to leave it unfinished (I'm really trying to ensure I read books all the way through for this project, even if it's one I'd normally abandon). I'm sure this is down to inadequacy as a reader on my part, but this was a book I was glad, relieved, to put behind me.

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