Kitchen-sink crime drama meets tragic opera in William Boyle’s most ambitious literary crime novel yet: the story of two sisters and their neighbor whose lives are shaped through one fateful, impulsive act Gravesend, Brooklyn, 1986: Risa Franzone lives in a ground-floor apartment on Saint of the Narrows Street with her bad-seed husband, Saverio, and their eight-month-old baby, Fabrizio. Risa is a loving mother, a faithful wife, a saintly neighbor, as she has learned to be—but lately, her husband’s slow dive into criminality and abuse has threatened her peace, raising concerns about her and her baby’s safety. On the night her younger sister, Giulia, moves in with Risa to recover from a bad break-up, a fateful accident occurs: Risa, boiled over with anger and fear, strikes a drunk, erratic Sav with a cast-iron pan, killing him on the spot. The sisters are left with a choice: notify the authorities and make a case for self-defense, or bury the man’s body and go on with their lives as best they can. In a moment of panic, in the late hours of the night, they call upon Sav’s childhood friend—the sweet, loyal Christopher “Chooch” Gardini—to help them, hoping they can trust him to carry a secret like this. Over the vast, dramatic expanse of the next eighteen years, life goes on in the working-class Italian neighborhood of Gravesend as Risa, Giulia, and Chooch grapple with the choice they make that night—and respond differently when the cracks of a supposedly seamless cover-up begin to reveal themselves.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long Wright Thompson's family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least nine people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation. Even in the context of the brutal caste regime of the time, the four-hour torture and murder of a boy barely in his teens for whistling at a young white woman was acutely depraved; Till's mother Mamie Till-Mobley's decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story--the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power. It implicates all of us. In The Barn, Thompson befriends the few people who have been engaged in the hard, fearful business of bringing the truth to light, people like Wheeler Parker, Emmett Till's friend, who came down from Chicago with him that summer, and is the last person alive to know him well. Wheeler Parker's journey to put the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a journey we all need to go on if this country is to heal from its oldest, deepest wound.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least nine people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation. Even in the context of the brutal caste regime of the time, the four-hour torture and murder of a boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power. It implicates all of us. In The Barn, Thompson befriends the few people who have been engaged in the hard, fearful business of bringing the truth to light, people like Wheeler Parker, Emmett Till’s friend, who came down from Chicago with him that summer, and is the last person alive to know him well. Wheeler Parker’s journey to put the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a journey we all need to go on if this country is to heal from its oldest, deepest wound.

A shocking and revelatory account of the murder of Emmett Till that lays bare how forces from around the world converged on the Mississippi Delta in the long lead-up to the crime, and how the truth was erased for so long Wright Thompson’s family farm in Mississippi is 23 miles from the site of one of the most notorious and consequential killings in American history, yet he had to leave the state for college before he learned the first thing about it. To this day, fundamental truths about the crime are widely unknown, including where it took place and how many people were involved. This is no accident: the cover-up began at once, and it is ongoing. In August 1955, two men, Roy Bryant and J.W. Milam, were charged with the torture and murder of the 14-year-old Emmett Till in Money, Mississippi. After their inevitable acquittal in a mockery of justice, they gave a false confession to a journalist, which was misleading about where the long night of hell took place and who was involved. In fact, Wright Thompson reveals, at least nine people can be placed at the scene, which was inside the barn of one of the killers, on a plot of land within the six-square-mile grid whose official name is Township 22 North, Range 4 West, Section 2, West Half, fabled in the Delta of myth as the birthplace of the blues on nearby Dockery Plantation. Even in the context of the brutal caste regime of the time, the four-hour torture and murder of a boy barely in his teens for whistling at a young white woman was acutely depraved; Till’s mother Mamie Till-Mobley’s decision to keep the casket open seared the crime indelibly into American consciousness. Wright Thompson has a deep understanding of this story—the world of the families of both Emmett Till and his killers, and all the forces that aligned to place them together on that spot on the map. As he shows, the full horror of the crime was its inevitability, and how much about it we still need to understand. Ultimately this is a story about property, and money, and power. It implicates all of us. In The Barn, Thompson befriends the few people who have been engaged in the hard, fearful business of bringing the truth to light, people like Wheeler Parker, Emmett Till’s friend, who came down from Chicago with him that summer, and is the last person alive to know him well. Wheeler Parker’s journey to put the killing floor of the barn on the map of Township 22 North, Range 4 West, Section 2, West Half, and the Delta, and America, is a journey we all need to go on if this country is to heal from its oldest, deepest wound.

On May 22, 1968, USS Scorpion SSN-589 sunk under mysterious circumstances, tragically killing everyone on board. After twenty-five years, the documents surrounding the incident become unclassified, shedding light on what may have occurred. Though the cause of the sinking of USS Scorpion is officially listed as “unknown”, the released information illuminates vital details that may finally lead to an explanation.

#1 SUNDAY TIMES BESTSELLER • A “vivid” (Financial Times) rags-to-riches memoir that takes readers inside the high-stakes drama and hubris of the trading floor, a “darkly funny” (Guardian) tale of Citibank’s one-time most profitable trader, and why he gave it all up “Darker than [Liar’s Poker], but if anything even more of a rollicking read . . . the clearest account I’ve ever read of how trading desks really work.”—Felix Salmon, Axios If you were gonna rob a bank and you saw the vault door there, left open, what would you do? Would you wait around? Ever since he was a kid, kicking broken soccer balls on the run-down streets of East London, Gary Stevenson dreamed of something bigger. As luck would have it, he was good at numbers. At the London School of Economics, wearing tracksuits and sneakers, Stevenson shocked his posh classmates by winning a competition called “The Trading Game.” The prize?: a golden ticket to a new life, as the youngest trader at Citibank. A place where you could make more money than you’d ever imagined. Where your colleagues are dysfunctional geniuses and insecure bullies yet start to feel like family. Where against the odds you become the bank’s most profitable trader, closing deals worth nearly a trillion dollars. A day. Soon you are dreaming of numbers in your sleep—and then you stop sleeping at all. But what happens when winning starts to feel like losing? You’re making a killing betting on millions of people becoming poorer—like the very people you grew up with. The economy is slipping off a precipice, and your own sanity starts slipping with it. You want to stop, but you can’t. Because nobody ever leaves. Would you stick, or quit? Even if it meant risking everything? The Trading Game is an outrageous, unvarnished, white-knuckle journey to the dark heart of an intoxicating world—the trading floor—from someone who survived the game and then blew it all wide open.

Hand-drawn floor plans and richly imagined architectural illustrations tell the story of television’s most memorable on-screen sets and scenes. Come explore where Lucy and Ethel baked a monstrous loaf of bread, where Phoebe performed “Smelly Cat,” where Jim and Pam fell in love, and countless other homes, offices, and towns as familiar to you as your own living room. Illustrator Iñaki Aliste Lizarralde has expertly rendered thirty-five of the most memorable television floor plans in modern history—puzzling together the layouts with an architect’s eye for detail and a director’s sense of storytelling. TV fans will delight in the interiors and exteriors from shows like Friends, Seinfeld, and The Simpsons, where characters and plotlines converge to create worlds so mesmerizing you want to binge-watch season after season. With immersive illustrations from shows across decades and countries, this truly unique art collection offers hilarious TV moments, Easter eggs, and behind-the-scenes trivia to test even the biggest superfans. GIFT OF AN IMMERSIVE EXPERIENCE: Here is a thorough deep dive and binge-worthy art collection for television superfans, cinephiles, fans of the Warner Brothers' studio tour, and anyone who likes to watch hours of TV at a time. A NEW WAY TO BINGE YOUR FAVORITE TV: Rediscover your love of the classics like I Love Lucy and Little House on the Prairie; revisit childhood favorites like The Brady Bunch and Sesame Street; or explore recent classics like The Office, Sex and the City, and Friends. HAND DRAWN, HIGHLY INTRICATE: Imagine living and working in your favorite fictional worlds—these floor plans are drawn as if they could exist in your neighborhood or town rather than on a soundstage. Created from memory and research by a trained architectural illustrator, each image gives you a sense of place in the context of the show’s world. INTERNATIONAL APPEAL: Throughout the book you’ll find fan favorite shows from the United States, Canada, and the United Kingdom. Shows like Kim’s Convenience, Schitt’s Creek, Killing Eve, and Sherlock appear alongside U.S. favorites like Seinfeld, Gilmore Girls, New Girl, and The Big Bang Theory. Perfect for: TV fans and cinephiles Pop culture enthusiasts Fans of Hollywood studio tours and interactive set re-creation experiences (like Friends or The Office) Gift for TV lovers who already have multiple streaming subscription services (like Netflix and HBO) Anyone interested in interior design

Transport yourself back in time with THE SUITCASE MURDERER a whodunnit set in post-war Britain. One of a series of traditional clue-based mysteries by James Andrew.

Pre-order HOLMES & MORIARTY - the clever and intriguing new crime mystery from Sunday Times bestselling author Gareth Rubin, out in hardback Autumn 2024. THE SUNDAY TIMES BESTSELLER 'The Turnglass is a bold, breathtaking piece of writing that absolutely nails its two books in one conceit. I doubt I’ll ever read anything like it again, which is the highest compliment I can offer' Stuart Turton 'Not just a book, but an experience - one in which twists and turns are both on the page and in the very act of reading itself. Two haunting narratives conspire to create a dark, menacing tale that spans half a century of secrets as they echo back and forth - all while the sand slowly drains away . . . This is a story about stories and their perspectives, the passage of time and the slow march of the inevitable. Vivid, resonant, melancholy and beautiful' Janice Hallett ‘A stunning, ingenious, truly immersive mystery. The Turnglass is a thrilling delight' Chris Whitaker Stuart Turton meets The Magpie Murders in this immersive and unique story for fans of clever crime fiction. 1880s England. On the bleak island of Ray, off the Essex coast, an idealistic young doctor, Simeon Lee, is called from London to treat his cousin, Parson Oliver Hawes, who is dying. Parson Hawes, who lives in the only house on the island – Turnglass House – believes he is being poisoned. And he points the finger at his sister-in-law, Florence. Florence was declared insane after killing Oliver’s brother in a jealous rage and is now kept in a glass-walled apartment in Oliver’s library. And the secret to how she came to be there is found in Oliver’s tête-bêche journal, where one side tells a very different story from the other. 1930s California. Celebrated author Oliver Tooke, the son of the state governor, is found dead in his writing hut off the coast of the family residence, Turnglass House. His friend Ken Kourian doesn’t believe that Oliver would take his own life. His investigations lead him to the mysterious kidnapping of Oliver’s brother when they were children, and the subsequent secret incarceration of his mother, Florence, in an asylum. But to discover the truth, Ken must decipher clues hidden in Oliver’s final book, a tête-bêche novel – which is about a young doctor called Simeon Lee . . . PRAISE FOR THE TURNGLASS: 'Rubin has pulled off the difficult trick of writing an ambitious novel that is also an easy, enjoyable read' The Times, Crime Book of the Month 'An intricate and thoroughly mesmerising tale of family plots and schemes across several generations' Guardian 'Your initial amazement at his ingenuity comes to sit alongside an appreciation of the heart and depth he brings to his stories. A risky idea, beautifully executed'The Telegraph ‘If immersive fiction is for you, you’ll adore this tête-bêche novel . . . Expect two very different stories that magically come together' Belfast Telegraph ‘Wildly clever and evocative, I adored it’ Angela Clarke

“Adrian McKinty is a gifted storyteller I love to read, and Sean Duffy is a character you will never forget.” – Don Winslow, #1 internationally bestselling author From New York Times bestselling author Adrian McKinty comes the next thrilling mystery in the Edgar Award–winning Sean Duffy detective series Slamming the door on the hellscape of 1980s Belfast, Detective Inspector Sean Duffy hopes that the 1990s are going to be better for him and the people of Northern Ireland. As a Catholic cop in the mainly Protestant RUC he still has a target on his back, and with a steady girlfriend and a child the stakes couldn’t be higher. After handling a mercurial triple agent and surviving the riots and bombings and assassination attempts, all Duffy wants to do now is live. But in his final days in charge of Carrickfergus CID, a missing persons report captures his attention. A fifteen-year-old traveler girl has disappeared and no one seems to give a damn about it. Duffy begins to dig and uncovers a disturbing underground of men who seem to know her very well. The deeper he digs the more sinister it all gets. Is finding out the truth worth it if DI Duffy is going to get himself and his colleagues killed? Can he survive one last case before getting himself and his family out over the water?