First published to celebrate Faber's 90th anniversary, this is the story of one of the world's greatest publishing houses - a delight for all readers who are curious about the business of writing. 'A striking drama.' SUNDAY TIMES 'Never less than fascinating.' DAILY TELEGRAPH 'This book will fascinate anyone with an interest in twentieth-century literature . . . a treasure trove.' SCOTSMAN 'The details here do consistently shine.' NEW YORK TIMES 'Ingeniously compiled . . . charming and quirky' EVENING STANDARD Told in its own words, this is the story of one of the world's greatest publishers, capturing the excitement, hopes and fears of the people who published and wrote the books that line our shelves today. Including archive material from T. S. Eliot, Samuel Beckett, Seamus Heaney, P. D. James, Kazuo Ishiguro and Philip Larkin, this is both a vibrant history and a hymn to the role of literature in all our lives.

The Armistice of 1918 brought ceasefire to the war on the Western Front, but 'the Great War' would not as hoped be 'the war to end all wars'. In this affecting selection, the Poet Laureate, Carol Ann Duffy, guides us deep into the act and root of 'armistice': its stoppage or 'stand' of arms, its search for truce and ceasefire. In 100 poems, our most cherished poets of the Great War speak alongside those from other conflicts and cultures, so that we hear some of the lesser-heard voices of war, including wives, families, those left behind. These poems of war and peace memorialise the horror and the tragedy of conflict. At the same time, in armistice, they become a record of renewal and a testimony to hope.

When John Osborne died at Christmas 1994, his obituaries cited his autobiographical writings as perfect examples of undiluted talent and acerbic wit. Now, Osborne's superb autobiographies, A Better Class of Person: 1929-1956 and Almost a Gentleman: 1955-1966 (winner of the J. R. Ackerley Prize), are available for the first time in one volume, Looking Back. 'A brilliant, funny, melancholy and acrimonious book of memoirs . . . Almost every page confirms that his powers as an elegist, definer of the Zeitgeist and master of unforgiving disgust remain undimmed.' Observer This volume also contains 'Bad John', a review by Alan Bennett of A Better Class of Person, and David Hare's eulogy for John Osborne at the memorial service for Osborne in 1995.

In the introduction to his selection of some of the greatest sonnets ever written, Paul Muldoon reminds us that 'of the innumerable traditional verse forms, the sonnet is not only the most persistent but also the most pervasive.' He suggests that 'part of the reason for the durability of the sonnet is its very duration.' It's the perfect length for what Dante Gabriel Rossetti described as 'a moment's monument,' or Edna St. Vincent Millay as putting 'chaos into fourteen lines.' Among the diverting and diverse poets represented here are Elizabeth Bishop, Wanda Coleman, John Donne, Terrance Hayes, John Keats, Claude McKay, Christina Rossetti, William Shakespeare, Patricia Smith, William Wordsworth, and W.B. Yeats. There are also translations by Paul Muldoon of sonnets by Charles Baudelaire, Rainer Maria Rilke, Cesar Vallejo, as well as the doughty duo of Paul Verlaine and Arthur Rimbaud.

Features two classic tales about Tamworth, the kind-hearted and very wise pig with a flair for publicity, and his human friends, Thomas and Blossom - The Prime of Tamworth Pig and Tamworth Pig Saves the Trees. In these tales Tamworth, Thomas and Blossom campaign to 'Save The Trees' and 'Grow More Grub and Eat Less Meat'. Carolyn Dinan's classic interior illustrations complement these exciting adventures.

Three Plays of Adolescence: Goodnight Children Everywhere; Franny's Way; Madame Melville Goodnight Children Everywhere Olivier Award for Best Play, 2000 'Exile - both literal and emotional - has been a haunting preoccupation for this dramatist. And with all themes of displacement and loss comes the yearning for a sense of place, for those attachments we cannot always rationalize but know as home. In Goodnight Children Everywhere, the safe harbor of home has been dynamited by war... A disturbing and lovely domestic drama about the loss of childhood.' New York Observer Franny's Way 'Boundaries warp and melt in the dense urban heat that pervades Franny's Way, Nelson's sensitively drawn portrait of love in the age of J.D.Salinger. The lines between childhood and adulthood blur disorientatingly for the three generations of characters gathered in a cramped apartment in Greenwich Village at the height of the summer in the 1950's... Nelson continues to give compassionate and insightful life to such erotic waywardness.' New York Times 'It moves with the breathless haste of a horny teen on prom night.' Time Out New York Madame Melville 'A memory play of wonderful delicacy, tenderness and humour... I left the theatre elated at having discovered such a terrific new play. An exquisite reminder of lost love, innocence and youth.' Daily Telegraph 'An elegant, tender, beguiling play.' Guardian 'It moves with the breathless haste of a horny teen on prom night.' Time Out New York Madame Melville 'A memory play of wonderful delicacy, tenderness and humour... I left the theatre elated at having discovered such a terrific new play. An exquisite reminder of lost love, innocence and youth.' Daily Telegraph 'An elegant, tender, beguiling play.' Guardian

The letters between Eliot and his associates, family and friends - his correspondents range from the Archbishop of York and the American philosopher Paul Elmer More to the writers Virginia Woolf, Herbert Read and Ralph Hodgson - serve to illuminate the ways in which his Anglo-Catholic convictions could, at times, prove a self-chastising and even alienating force. 'Anyone who has been moving among intellectual circles and comes to the Church, may experience an odd and rather exhilarating feeling of isolation,' he remarks. Notwithstanding, he becomes fully involved in doctrinal controversy: he espouses the Church as an arena of discipline and order. Eliot's relationship with his wife, Vivien, continues to be turbulent, and at times desperate, as her mental health deteriorates and the communication between husband and wife threatens, at the coming end of the year, to break down completely. At the close of this volume Eliot will accept a visiting professorship at Harvard University, which will take him away from England and Vivien for the academic year 1932-33.

After three years in the wilderness, hardboiled reporter Gerry Conway is back at his desk at the Glasgow Tribune. But three years is a long time on newspapers and things have changed - readers are dwindling, budgets are tightening, and the Trib's once rigorous standards are slipping. Once the paper's star reporter, Conway now plays second fiddle to his former protégé, crime reporter Martin Moir. But when Moir goes AWOL as a big story breaks, Conway is dispatched to cover a gangland shooting. And when Moir's body turns up in a flooded quarry, Conway is drawn deeper into the city's criminal underworld as he looks for the truth about his colleague's death. Braving the hostility of gangsters, ambitious politicians and his own newspaper bosses, Conway discovers he still has what it takes to break a big story. But this is a story not everyone wants to hear as the city prepares to host the Commonwealth Games and the country gears up for a make-or-break referendum on independence. In this, the second book in the Conway Trilogy, McIlvanney explores the murky interface of crime and politics in the New Scotland.

'Utterly awe-inspiring.' Douglas Stuart 'Extraordinary.' Marina Hyde 'An utter joy to read.' Monica Ali 'Majestic.' Independent 'A masterpiece.' John Lanchester 'Addictively enjoyable.' Guardian 'Pitch-perfect.' Observer ** Shortlisted for the Orwell Prize for Political Fiction ** ** A Sunday Times Bestseller ** From the author of Mayflies, an irresistible, unputdownable, state-of-the-nation novel - the story of one man's epic fall from grace. Campbell Flynn - art historian and celebrity pundit - is entering the empire of middle age. Fuelled by an appetite for controversy and novelty, he doesn't take people half as seriously as they take themselves. Which will prove the first of his huge mistakes. The second? Milo Mangasha, his beguiling and provocative student. Milo inhabits a more precarious world. He has experiences and ideas that excite his teacher. He also has a plan. Over the course of an incendiary year a web of secrets and crimes will be revealed, and Campbell Flynn may not be able to protect himself from the shattering exposure of all his privilege really involves. But then, he always knew: when his life came tumbling down, it would occur in public. Andrew O'Hagan's book Caledonian Road was a Sunday Times bestseller w/c 06-04-2024

Comedy superstar Harry Hill is back with a brilliant bumper edition of the very best jokes, bloopers and tall tales of Tiny Tim. There's fun for all the family to share: JOKES! What do you call a greenfly with no arms, legs or wings? A bogey. BLOOPERS! 'Dear milkman, baby arrived yesterday. Please leave another one.' FUNNY STORIES! The hilarious capers of Tim the Tiny Horse and his best friend, Fly. Selected from Harry Hill's Whopping Great Joke Book, Harry Hill's Bumper Book of Bloopers and Complete History of Tim.