The Roman Empire never fell. Driven by political ambition and internal dissent, thrown into turmoil by rebellion and civil war, it changed and adapted, but it never fell. The balance of power between Byzantium in the east and Rome in the west ebbed and flowed, but the Empire never fell. And it continued to expand, taking in the New World, while still dominating the old. This ambitious and accomplished novel explores fifteen hundred years of alternate Roman history through the very human stories of some of those who lived through it: the soldier encountering the exoticism of the New World for the first time; the minor official exiled to Arabia for some misdemeanour whose meeting with a religious fanatic may have changed the course of history; the military hero seizing his destiny; the innocent British aristocrat witnessing the destruction of the royal family; the children who find the last emperor in a decaying wood are all vividly and memorably portrayed. Roma Eterna takes it's place among the great alternate histories.

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There have been eighty requests to send an Observer into the hinterlands of the planet Aka to study the natives. Much to everyone¿s surprise, the eighty-first request is granted, and Observer Sutty is sent upriver to Okzat-Ozkat, a small city in the foothills of Rangma, to talk to the remnants in hiding of a cult practising a banned religion. On Aka, everything that was written in the old scripts has been destroyed; modern aural literature is all written to Corporation specifications. The Corporation expects Sutty to report back so the non-standardised folk stories and songs can be wiped out and the people ¿re-educated¿. But Sutty herself is in for an education she never imagined.

Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety. One reviewer said: 'This book is a sheer delight. It is beautifully written, full of vitality and endlessly inventive: its format, with half a dozen episodes and intervening rest periods for both the hero and the reader, allows for a huge range of characters, scenarios and action. It's thought-provoking without being in the least dogmatic, witty without descending to farce and packed with swordfights without being derivative. The dialogue sparkles; characters morph almost imperceptibly from semi-cliche to completely original; nothing is as it first seems. Sapkowski succeeds in seamlessly welding familiar ideas, unique settings and delicious twists of originality: his Beauty wants to rip the throat out of a sensitive Beast; his Snow White seeks vengeance on all and sundry, his elves are embittered and vindictive. It's easily one of the best things I've read in ages.'

Fifty years after the events of ALTERED CARBON Takeshi Kovacs is serving as a mercenary in the Procterate sponsored war to put down Joshuah Kemp's revolution on the planet Sanction IV. He is offered the chance to join a covert team chasing a prize whose value is limitless and whose dangers are endless. Here is a novel that takes mankind to the brink. A breakneck-paced crime thriller ALTERED CARBON took its readers deep into the universe Morgan had so compellingly realised without ever letting them escape the onward rush of the plot. BROKEN ANGELS melds SF, the war novel and the spy thriller to take the reader below the surface of this future and lay bare the treacheries, betrayals and follies that leave man so ill-prepared for the legacy he has been given; the stars. This is SF at its dizzying best: superb, yet subtle, world-building; strong yet sensitive characterisation; awesome yet believable technology , thilling yet profound writing. Richard Morgan is set to join the genre's world-wide elite.

The award-winning author of the Revelation Space trilogy continues to forge the future of science fiction in this awe-inspiring new novel.

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Tom Dreyfus is a Prefect, a policeman of sorts, and one of the best. His force is Panoply, and his beat is the multi-faceted utopian society of the Glitter Band, that vast swirl of space habitats orbiting the planet Yellowstone. These days, his job is his life. A murderous attack against a Glitter Band habitat is nasty, but it looks to be an open-and-shut case - until Dreyfus starts looking under some stones that some very powerful people would really rather stayed unturned. What he uncovers is far more serious than mere gruesome murder: a covert takeover bid by a shadowy figure, Aurora (who may once have been human but certainly isn't now), who believes the people of the Glitter Band should no longer be in charge of their own destiny. Dreyfus discovers that to save something precious, you may have to destroy part of it.

Two 19th century stage illusionists, the aristocratic Rupert Angier and the working-class Alfred Borden, engage in a bitter and deadly feud; the effects are still being felt by their respective families a hundred years later. Working in the gaslight-and-velvet world of Victorian music halls, they prowl edgily in the background of each other's shadowy life, driven to the extremes by a deadly combination of obsessive secrecy and insatiable curiosity. At the heart of the row is an amazing illusion they both perform during their stage acts. The secret of the magic is simple, and the reader is in on it almost from the start, but to the antagonists the real mystery lies deeper. Both have something more to hide than the mere workings of a trick.