Kell
19th January 2007, 20:45
The books up for the vote this month are:
The Bookseller of Kabul by Asne Seierstad:
Two weeks after September 11th, award-winning journalist Asne Seierstad went to Afghanistan to report on the conflict. In the following spring she returned to live with a bookseller and his family for several months. The Bookseller of Kabul is the fascinating account of her time spent living with the family of thirteen in their four-roomed home. Bookseller Sultan Khan defied the authorities for twenty years to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock in attics all over Kabul. But while Khan is passionate in his love of books and hatred of censorship, he is also a committed Muslim with strict views on family life. As an outsider, Seierstad is able to move between the private world of the women - including Khan's two wives - and the more public lives of the men. The result is an intimate and fascinating portrait of a family which also offers a unique perspective on a troubled country.
Maus by Art Spielgelman:
Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from a historical perspective as well as an artistic one.
Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew. This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume (http://www.amazon.com/exec/obidos/ASIN/0679729771/$%7B0%7D) of this Pulitzer Prize (http://www.amazon.com/exec/obidos/subst/lists/awards/pulitzer.html/$%7B0%7D)-winning set. --Michael Gerber
The Blind Assassin by Margaret Atwood:
Told in a style that magnificently captures the colloquialisms and cliches of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience.
Opening with a terse account of her sister Laura's death in 1945, it is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel, a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. With many threads and a series of events that follow one another at a breathtaking pace, everything comes together and readers discover that the story Atwood is telling is not only what it seems to be -- but, in fact, much more.
The Bookseller of Kabul by Asne Seierstad:
Two weeks after September 11th, award-winning journalist Asne Seierstad went to Afghanistan to report on the conflict. In the following spring she returned to live with a bookseller and his family for several months. The Bookseller of Kabul is the fascinating account of her time spent living with the family of thirteen in their four-roomed home. Bookseller Sultan Khan defied the authorities for twenty years to supply books to the people of Kabul. He was arrested, interrogated and imprisoned by the communists and watched illiterate Taliban soldiers burn piles of his books in the street. He even resorted to hiding most of his stock in attics all over Kabul. But while Khan is passionate in his love of books and hatred of censorship, he is also a committed Muslim with strict views on family life. As an outsider, Seierstad is able to move between the private world of the women - including Khan's two wives - and the more public lives of the men. The result is an intimate and fascinating portrait of a family which also offers a unique perspective on a troubled country.
Maus by Art Spielgelman:
Some historical events simply beggar any attempt at description--the Holocaust is one of these. Therefore, as it recedes and the people able to bear witness die, it becomes more and more essential that novel, vigorous methods are used to describe the indescribable. Examined in these terms, Art Spiegelman's Maus is a tremendous achievement, from a historical perspective as well as an artistic one.
Spiegelman, a stalwart of the underground comics scene of the 1960s and '70s, interviewed his father, Vladek, a Holocaust survivor living outside New York City, about his experiences. The artist then deftly translated that story into a graphic novel. By portraying a true story of the Holocaust in comic form--the Jews are mice, the Germans cats, the Poles pigs, the French frogs, and the Americans dogs--Spiegelman compels the reader to imagine the action, to fill in the blanks that are so often shied away from. Reading Maus, you are forced to examine the Holocaust anew. This is neither easy nor pleasant. However, Vladek Spiegelman and his wife Anna are resourceful heroes, and enough acts of kindness and decency appear in the tale to spur the reader onward (we also know that the protagonists survive, else reading would be too painful). This first volume introduces Vladek as a happy young man on the make in pre-war Poland. With outside events growing ever more ominous, we watch his marriage to Anna, his enlistment in the Polish army after the outbreak of hostilities, his and Anna's life in the ghetto, and then their flight into hiding as the Final Solution is put into effect. The ending is stark and terrible, but the worst is yet to come--in the second volume (http://www.amazon.com/exec/obidos/ASIN/0679729771/$%7B0%7D) of this Pulitzer Prize (http://www.amazon.com/exec/obidos/subst/lists/awards/pulitzer.html/$%7B0%7D)-winning set. --Michael Gerber
The Blind Assassin by Margaret Atwood:
Told in a style that magnificently captures the colloquialisms and cliches of the 1930s and 1940s, The Blind Assassin is a richly layered and uniquely rewarding experience.
Opening with a terse account of her sister Laura's death in 1945, it is followed by an inquest report proclaiming the death accidental. But just as the reader expects to settle into Laura's story, Atwood introduces a novel-within-a-novel, a science fiction story told by two unnamed lovers who meet in dingy backstreet rooms. With many threads and a series of events that follow one another at a breathtaking pace, everything comes together and readers discover that the story Atwood is telling is not only what it seems to be -- but, in fact, much more.