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Scartapus

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    The Sense of an Ending, Julian Barnes (2011). The Death Zone, Climbing Everest Through the Killer Storm. Matt Dickinson (1997) (non-fiction)
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    West Midlands

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  1. It's been years since I read most of ACC's books but Rendezvous with Rama (the original 1972 novel) is one of his best. The follow ups were clearly written by a co-author with a different more conversational style I personally couldn't get into. Another favourite is the short novel called A Meeting with Medusa, about the first exploration of Jupiter's atmosphere by a lone astronout Howard Falcon, in an airship, the Kon Tiki. Like all ACC's stories its based on scientific knowledge at the time. The Fountains of Paradise (1977) is set in Sri Lanka and is about building a 'space elevator', literally a cable lift up to a satellite in orbit. Such a 'space elevator' would make tradtional rockets redundant. You still hear of this idea in science news nowadays as being theoretically possible when a strong enough material exists to be used for the cable. A Fall of Moondust is one of his early stories, a kind of 'disaster novel' about a passenger vehicle on the moon that sinks in deep moondust. He must have written this story in the 1950s when scientists thought the lunar seas were deep areas of dust that wouldn't support the weight of a spacecraft. Don't forget the short story books also. There are about eight and include Expedition to Earth that contains the short story The Sentinel, that '2001' was based on. Also The Wind from the Sun.
  2. I've just finished reading The Sense of an Ending (Vintage paperback). A kind of detective story based on the theme of problems in making sense of history (personal or otherwise). I started to read it in bed but was carried along by the story so much I read most of it before having to finish it the next day seeing it was 4am. (CONTAINS SPOILER DETAILS OF THE STORY...) The nature of the theme makes the storyline deliberately ambiguous I suppose but has anybody got any ideas as to what 'actually' happened? For instance when Tony visits Veronica's family, were the Fords really snobbish or feigning snobbery in being friendly (p26)? What was Mrs Ford's 'horizontal gesture' as he left (p30). What was the purpose of the first schooldays suicide inthe story? What was the relationship between Adrian/ Mrs Ford/ Veronica/ Tony. Why did Veronica burn the diary, presuming she did? Why is Tony the narrator painted as so painfully conventional and doddery in the last half of the book? I felt the older Veronica's repeated communications with Tony towards the end combined with a silent anger was slightly unbelievable but I enjoyed the book a lot.
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